Symphony No. 2 (Sibelius)

Jean Sibelius's Symphony No. 2 in D major, Opus 43 was started in Winter 1900 in Rapallo, Italy, and finished in 1902 in Finland. It was first performed by the Helsinki Philharmonic Society on 8 March 1902, with the composer conducting. After the first performance, Sibelius made some revisions, and the revised version was given its first performance by Armas Järnefelt on 10 November 1903 in Stockholm.

Contents

Orchestration

Sibelius scored his second symphony for an orchestra consisting of standard instruments:

Woodwind
2 Flutes
2 Oboes
2 Clarinets
2 Bassoons
Brass
4 Horns
3 Trumpets
3 Trombones
Tuba
Percussion
Timpani
Strings
1st and 2nd Violins
Violas
Cellos
Double basses

Movements

The symphony is in four movements, with the third movement and the finale played attacca:

  1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo all'allegro - Poco largamente - Tempo I - Poco allegro
  2. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Molto largamente - Andante sostenuto - Andante con moto ed energico - Andante - Pesante
  3. Vivacissimo - Lento e soave - Tempo primo - Lento e soave - (attacca)
  4. Finale: Allegro moderato - Moderato assai - Meno moderato e poco a poco ravvivando il tempo - Tempo I - Largamente e pesante - Poco largamente - Molto largamente

The duration is approximately 45 minutes.

Reception

In Finland, this popular work with its grandiose finale was connected by some with the struggle for Finland's independence, even being popularly dubbed the "Symphony of Independence," as it was written at a time of Russian sanctions on Finnish language and culture. Sibelius's reaction to this has been widely debated; some claim that he had not intended any patriotic message and was purely identified as a nationalist composer, while others believe that he wrote the piece with an independent Finland in mind.

Tying in with Sibelius' philosophy on the art of the symphony (he wrote that he "admired [the symphony's] severity of style and the profound logic that created an inner connection between all the motifs..."), the work grows almost organically out of a rising three-note motif heard at the opening of the work, which, after appearing in many guises throughout the entire symphony (and indeed forming the basis for most of the material) forms the dramatic theme of the finale.

The first recording was made by Robert Kajanus with the London Symphony Orchestra for the HMV label in May 1930.

External links